The V&A have just reopened their refurbished Toshiba Gallery of Japanese Art so, as you would expect, Yannick and I rushed down to have a look. And guess what? We really liked it. It’s a lovely mixture of of over five hundred objects, both old favourites and new acquisitions, all displayed in a layout reminiscent of a traditional Japanese house. Continue reading
The latest Japan Foundation programme has just hit my inbox, and I’m thrilled to see that they’re having a talk on Itchiku Kubota and his tsujigahana kimonos. I’ve been interested in these wonderful kimonos for a long time, so much so that a few years back I visited the Itchiku Kubota Museum in Japan to see the display of kimonos there for myself. Continue reading
Just over a year ago I did a post on the Japan-British exhibition of 1910, tracking where the exhibits ended up when the exhibition was over. The one that interested me the most was the one-tenth scale model of the Taitokuin Mausoleum, the memorial to the second Tokugawa Shogun in Zojo-ji Temple in Shiba. It was presented to the then King, George V, and remained for many years in the Royal Collection in dismantled form. But then what happened? I’ve only just found out. Continue reading
Call me shallow, but I do like it when I go to a gallery that’s as nice as the art they’re showing. I don’t like grubby, badly lit spaces – I want somewhere that’s bright and airy. I hate it when normally pleasant galleries decide to show their paintings in the half dark. If I want to peer at dimly lit objects in the gloom I’ll watch Wolf Hall. Luckily Erskine, Hall and Coe pass the nice gallery test with flying colours, and the art – by acclaimed ceramicist Yasuhisa Kohyama – is great too. Continue reading
There used to be shop in Neal St, a long time ago, called Neal St East. No, not the same as the East chain of shops that now have a branch near Covent Garden market; Neal St East was something else. It took up four floors of a complex emporium where goods from China, Korea, India and Japan were piled up in chaotic profusion, like an Eastern bazaar that had taken it into its head to migrate to what was then a quiet back street. I used to love it, not least for the racks of vintage kimonos on sale. Now vintage is becoming an increasingly acceptable choice, Neal St East is gone, taken over by a shoe shop. But it’s still possible to get your hands on vintage kimonos if you know where to look. Continue reading
Last week I did a post about the Conflict:Time:Photography exhibition at the Tate Modern, and the way it brings the past into focus by showing the elapse of time from a key event, like the dropping of the atomic bomb on Hiroshima. Now here I am again with another photography exhibition about the dropping of the atomic bomb, but one with an approach that couldn’t be more different. The clue is in the exhibition title – Remembering Absence. Continue reading
‘He’s not a Japanese artist, you know,’ said the girl at the Berloni Gallery when I gave her my Sequins and Cherry Blossom card. I know. But Carl Randall, winner of the 2012 BP Travel Award, is a former Daiwa Scholar who studied at the Tokyo University of the Arts and paints remarkable hyperrealistic yet subtly distorted portraits of Japanese people. So I wanted to see his latest work. Continue reading
It’s a bit far for a day trip, but up in Cumbria there’s an exhibition on called Wordsworth and Basho: Walking Poets. It’s at the Wordsworth Museum, next to Dove Cottage where William Wordsworth wrote some of his greatest poetry. It features manuscripts and early printed editions of work written by Basho, Wordsworth, and Wordsworth’s sister Dorothy, who is now recognised as a significant writer in her own right, as well as new works by contemporary artists responding to the manuscripts and what originally inspired them. The theme, and the connection it makes between two such different poets, sounds fascinating. Continue reading
Japan Matsuri in Trafalgar Square gets bigger and better every year. Especially this year, with the Indian summer we’ve been having, which really brought out the crowds. A surprising number of people dressed the part in kimonos – everything from cotton yukata, the traditional wear for a summer festival, to richly decorated antique kimonos. That’s what I’ve focused on this year, so here’s my kimono fashion parade from Japan Matsuri. Continue reading
I originally wrote this post about the 100th anniversary of the Takarazuka Revue on my website, franpickering.com, but then I thought I’d share it here on Sequins and Cherry Blossom too. It comes from my recent trip to Japan when I went back to Takarazuka, which was the setting for The Cherry Blossom Murder, the first book in my Josie Clark in Japan mystery series.
It’s the Takarazuka Revue’s one hundredth anniversary this year, so I absolutely had to go back to the little town in the mountains outside Osaka where it all began and see the anniversary production of their most famous show, The Rose of Versailles. It was a trip down memory lane for me – it’s several years since I was last there, and I was excited to be back.
Seeing a show at the Takarazuka Revue is the most amazing experience and I definitely recommend you try it if you ever get the chance. The theatre is massive – it seats 2,000 and the stage is twice the size of the stage at the London Coliseum.
There are four hundred actresses in total – about seventy…
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