As far as I’m concerned, it wouldn’t be Christmas without The Nutcracker. You know how the story goes – a little girl, Clara, is given a nutcracker for Christmas by a magician and when midnight strikes finds herself embroiled in a fight to the death with giant mice and then transported to the kingdom of sweets. All this, plus Tchaikovsky’s fabulous music and a Christmas tree that grows to giant proportions. It’s the essence of Christmas. Continue reading
I always try to get to Deloitte Ignite, the annual event that opens up the Royal Opera House Covent Garden to host of artists and performers. It’s all free and it’s all fun. This year I saw the Royal Ballet doing a fabulous demonstration of how they build up the fight scenes in Romeo and Juliet, which drew a huge and enthusiastic audience. But my other aim was to see the silk banners in the Paul Hamlyn Hall. I knew they’d be a visual feast and I wasn’t disappointed. Continue reading
Coming up in April at the Royal Ballet is that most English of all ballets, Frederick Ashton’s La Fille mal gardée, with bucolic set designs by Osbert Lancaster and a real shetland pony. The lead roles of Lise and Colas will be danced by a variety of RB principles, none of them actually English, but all able to dance with the lyricism, musicality and unflashy technique that Ashton’s choreography and the English tradition demands. It’s made me think back to a famous Japanese exponent of the English style, Miyako Yoshida. Continue reading
With the 2014/15 season opening at the Royal Opera House (yes, they’ll be doing Swan Lake), it’s a good time to take another look at the Japanese dancers and see what changes the last year has brought. Some ups and downs and a few leavers is the answer, but so far no dramatic announcements about new principals. Will we see a Japanese dancer reach principal this year? Who knows. But this is how the runners and riders look at the moment. Continue reading
Yes, it’s back – the dancing snowflakes, the giant Christmas tree, the sugarplum fairy and the nutcracker that turns into a handsome prince. One of the great ballet favourites is making its regular Christmas appearance and this year Londoners have a choice of two brilliant productions. Here’s my introduction to them both, including details of the Japanese dancers in each one. Continue reading
The normally peaceful world of British ballet has been hitting the headlines recently, what with Sergei Polunin doing another no-show, Tamara Rojo, the new English National Ballet Director, likening male-dominated ballet to porn, Russian superstar Natalia Osipova joining the Royal and Alina Cojocaru jumping ship from the Royal to the ENB. But inside the hothouse world of the ballet fan other controversies rage, not least of which is, when are they going to promote Yuhui Choe? Continue reading
For ballet fans Christmas isn’t Christmas without the ultimate Christmas ballet – the one where a magical toy nutcracker turns into a handsome young man, toy soldiers fight with giant mice, a Christmas tree grows to impossible heights, the heroine journeys through a land of snowflakes to the kingdom of sweets and most important of all, the Sugar Plum Fairy and her prince dance. What is it that makes Nutcracker such a Christmas must-see?